Fixed: Offline process in VST3 consistency. Please note: This fix may slightly affect the sound of sessions created with previous versions. General bug fixes in Codex and Element. Please note: This update may slightly affect the sound of sessions created with previous versions.
Expanded modules no longer auto-engage when collapsed. When Bucket view is empty, right-clicking for assignment no longer causes pointer to jump. Insert slot settings can now be saved in Pyramix. I love the sound of all the individual modules and the flexibility of their application.
The mic pre and EQ sections sound amazing and are incredibly flexible. Damien Lewis Mixing Engineer, Producer. If there's one single plugin you need in your collection, this is it. It's so well thought out and designed, you can see the love that Waves and Andrew put into it. The Saturation and dual DeEssing sections are stand-out features for me. It gives me lots of different tonal controls in one place, and finally I can de-ess in mid-side! It sounds great when pushed to its extremes and can be subtle and clinical as well.
The tone options in the preamp and compressor, the ability to move the modules around gate before preamp saturation? Yes please! Reverb Effects Plug-In Software. Modeled Compressor Plugin. Tape Saturation Plugin. Signature Tape Saturation Plugin. Multi-Algorithm Vocoder Plug-in. Electric Piano Virtual Instrument Software.
You save. Availability: In Stock. Current Stock:. Quantity: Decrease Quantity: Increase Quantity:. View Available Bundles. Details Additional Info Available for download, the Waves Scheps Omni Channel is a plug-in designed to handle all of your channel-strip needs. At Music Matter, our goal is to ensure complete satisfaction with your purchase. Full Refund Within 14 days In order to receive a full refund, you must notify us within 14 days of receiving the goods.
The EQ section is conventional but well specified. Compressors in a channel strip behave differently depending on whether they are placed before or after the main EQ, so the ability to shuffle the order of the channel modules is particularly welcome here.
The equaliser section is a four-band console-type affair that can be flipped to fully parametric operation if greater control is needed. High and low shelving bands address the extremes, with a choice of two fixed-Q settings. The two peaking EQ sections are described as Mid and Tone, and each can be dialled into any frequency from 20Hz to 20kHz.
The filters have adjustable bandwidth and shape so can be tuned anywhere in the audio frequency spectrum, and the side-chain signal can be internally or externally sourced. It works much like a conventional de-esser, but is far more flexible as it can also be tuned to address low-frequency popping, mid-range harshness, and so on. Its side-chain source can be internal or external and may also be filtered to allow a specific frequency range to trigger the gate. A Master module is included, with input and output level fader, twin VU meters to show input level, gain reduction and output level, and a selector for the output and monitoring formats.
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